The History of Rubber Stamps
From "The Rubber Stamp Album" by Joni K. Miller & Lowry
Thompson, 1978, Workman Publishing,
New
York
Charles Marie de la Condamine, French scientist
and explorer of the scenic Amazon River, had no idea there would ever be such a
thing as a rubber stamp when he sent a sample of "
India
" rubber to the Institute de France in
Paris in 1736.
Prior to de la Condamine, Spanish explorers had
noted that certain South American Indian tribes had a light-hearted time
playing ball with a substance that was sticky and bounced, but it failed to
rouse their scientific curiosity.
Some tribes had found rubber handy as an adhesive when attaching feathers to
their person; and the so-called "head-hunting" Antipas, who were fond
of tattooing, used the soot from rubber that had been set on fire. They
punctured skin with thorns and rubbed in the soot to achieve the desired
cosmetic effect. The June 1918 issue of Stamp Trade News indicates that
"rubber stamps were made hundreds of years ago...by South American Indians
for printing on the body the patterns which they wished to tattoo," but we
have been unable to verify this was actually the case. In
New Zealand
today, a version of such tattooing is making a hit in the form of rubber stamp
"skin markers" which bear intricate figures of birds, snakes,
flowers, tribal symbols, etc.
It wasn't until some thirty-four years after de la Condamine sent his rubber care package home that Sir Joseph Priestley, the discoverer of
oxygen, noted: "I have seen a substance excellently adapted to the purpose
of wiping from paper the mark of black lead pencil." In 1770 it was a
novel idea to rub out (hence the name rubber) pencil marks with the
small cubes of rubber, called "peaux de negres" by the French. Alas, the cubes were both
expensive and scarce, so most folks continued to rub out their errors with
bread crumbs. Rubber limped along since attempts to put the substance to
practical use were thwarted by its natural tendency to become a rotten,
evil-smelling mess the instant the temperature changed.
Enter Charles Goodyear. Upon hearing of the unsolvable rubber dilemma (from
the Roxbury Rubber Company), Goodyear became obsessed with solving the whole
sticky question once and for all. During his lifetime, Goodyear was judged to
be a crackpot of epic proportions. Leaving his hardware business, he began
working on the problem in his wife's kitchen, spending hours mixing up bizarre
brews of rubber and castor oil, rubber and pepper, rubber and salt, rubber and
heaven knows what. Daily life intruded on his experiments in the form of
recurring bankruptcy and sporadic imprisonment for failure to pay his debts. At
one point, Goodyear actually sold his children's' school books for the cash
required to embark on the next experiment. Goodyear's persistence and
single-mindedness were legion.
In 1839 while fooling around in a kitchen, Goodyear accidentally dropped
some rubber mixed with sulphur on top of a hot stove.
Instead of turning into a gooey mess, the rubber "cured." It was
still flexible the next day. The process, involving a mixture of gum elastic, sulphur, and heat was dubbed vulcanization, after
Vulcan, the Roman god of fire. Vulcanized, rubber lost its susceptibility to
changes in temperature. The discovery paved the way for hundreds of practical
applications of rubber. In June 1844, Goodyear patented for his process. Never
one to rest on his laurels, Goodyear turned his formidable energies to
developing a multiplicity of uses for rubber. These continuing experiments were
costly and, bless his soul, in 1860 Goodyear died two
hundred thousand dollars in debt. His last words reflected the pattern of his
life: "I die happy, others can get rich."
Prelude to the Invention of the Rubber Stamp
The word "stamp," as used in historical documents, is not
particularly explanatory. Neither is its cousin phrase "hand stamp."
Early historical references to either can easily be mistaken for references to
rubber stamps and this is not always correct. A basic assumption must be made
that if the word "stamp" is used to refer to a marking device prior
to 1864, it does not refer to a rubber one.
Some background on this somewhat hair-splitting problem: Metal
printing-stamps, also called hand stamps or mechanical hand stamps, preceded
rubber ones by six to eight years. One of the first of these was the
Chamberlain Brass Wheel Ribbon Dating Stamp, which came out in the early 1860s,
and another was B.B. Hill's Brass Wheel Ribbon Ticket Dater. A prolific
inventor, Hill is considered to be "the father of the mechanical hand
stamp." Prior to 1860, hand stamps enjoyed limited use. Their heyday
commences with the Civil War. The union financed the war by issuing revenue
stamps which were required on virtually all business papers of any kind --
notes, drafts, bills, checks, etc. The government required that the revenue
stamps be "canceled" with a notation of the date and the name of the
person canceling them. Clearly this procedure was a real pain. It was tedious
and slow and begged for some type of technology to come to the rescue. It isn't
difficult to imagine the instant popularity with which the first mechanical
hand stamps were met.
The early days of rubber stamps and their creation are inextricably entwined
with those of early dentistry. Around the same time that Goodyear received his
patent on vulcanizing, anesthesia was patented by a fellow named Wells.
Relatively speaking, Wells's discovery made getting
your teeth pulled a moderately painless experience, so teeth were being pulled
left and right. This meant, of course, that the demand for false teeth was
rising proportionately. Before vulcanization, denture bases had been made
primarily of gold and were both costly and difficult to make. After
vulcanization, denture bases could be made of vulcanized rubber set in plaster
molds. This process did not demand a great deal of skill, and soon scores of
dentists had small, round vulcanizers with which to
ply their trade. These were called "dental pot" vulcanizers and would be used eventually to manufacture the first rubber stamps.
Multiple Choice for the Inventor of the Rubber
Stamp
The actual source of the first rubber stamp is still mired in mystery. It's
a game of multiple choice for the inventor.
Candidate number one, L.F. Witherell of Knoxville,
Illinois, caused quite a stir in June 1916, at the stamp men's convention in
Chicago, by reading a paper entitled "How I Came to Discover the Rubber
Stamp."
Witherell, noting that "nearly all great and
marvelous inventions or discoveries have sprung into the world as a result of an
accident," claimed his accidental discovery of the rubber stamp took place
in
Galesburg,
Illinois, in 1866 while he was foreman for a
manufacturer of wooden pumps. At that time virtually all identification marking
was made with brass or copper stencils and paint. The pump company was
experiencing problems with paint running under stencils and creating blotches
on the pumps. Witherell decided to try cutting
stencils out of thin sheets of rubber packing. It was while cutting letters out
of a sheet of rubber, and watching the letters fall at his feet,
that his brainstorm hit. He promptly cut more letters out of thicker
rubber, glued them to a piece of old bedpost, inked the creation on a leather
ink pad, rolled the bedpost over a pump and made a good impression of his own
initials.
Unfortunately, Witherell could not whip out his
bedpost stamp for an historic show-and-tell. Two years earlier, in 1914, Witherell had claimed to have the bedpost stamp still in
his possession as a "potato masher," but at the convention he told
the curious audience that the "sacred treasure" had been stolen from
him "some years ago."
Continuing with his saga, Witherell said he next
came up with the idea of vulcanized-rubber stamps and went to a dental office
in
Chicago
where he claimed to have vulcanized "the first genuine rubber stamp in the
world." Witherell's claims also extended to
"the creation of the first stamp ever sold for money," which he said
was made in
Knoxville
with the assistance of printer's apprentice O.L. Campbell, who set the type for
the stamp. It was used to print on tin ware.
Witherell then began to pursue his stamp career in
earnest, having G.D. Colton & Co. make him a vulcanizer.
He produced stamps with a series of partners, the first being B.W. Merritt,
"a jolly old bachelor Yankee who sold gate latches." Finally he set
up his own factory with his brother and a fellow named D.A. Dudley.
Shortly after he established the factory, the Dental Rubber Syndicate
demanded that Witherell pay a ten-dollars-per-pound
royalty, in addition to the three-dollars-per-pound he was already paying for
the flesh-colored dental rubber. Even at three dollars a pound the rubber was
considered an expensive material, and Witherell found
the economics of the whole thing too much to cope with. He sold the factory to
Austin Wiswall of
Princeton,
Illinois,
"who said he had friends who could make him cheap rubber that would not
infringe on the dental patents."
Witherell devoted his later years to a variety of
mining enterprises and his "scientific collection of pre-historic
mammals." He never relented on his numerous claims and, while in his
hearty seventies, continued to remind anyone who would listen that he was still
making perfect impressions with stamps he had made almost fifty years earlier...
and that he had sold over four-thousand-dollars worth of vulcanized stamps long
before anyone else made a single one.
Candidate number two is James Orton Woodruff of Auburn, New York, whose
historical honors were zealously and frequently defended in stamp-trade
periodicals for years by his cousin Alonzo Woodruff, who was himself to play a
pivotal role in rubber-stamp history.
Perhaps as early as 1864, and no later than early
1866, James O. Woodruff visited a shop that manufactured patent washtubs where
he observed the names and other identifying information being printed on the
tubs with a curved wooded block which had rubber letters mounted on it. The
letters had been carved from a flat piece of rubber by a man named Palmer. The
lettering is said to have covered a surface four by six inches. When used with
printer's ink, it left a decent, legible impression on the curved tub surfaces.
While watching the tub marking, Woodruff speculated that if impressions of
letters where made in vulcanizer molds, one could
produce vulcanized-rubber letters.
Woodruff began playing around unsuccessfully with a vulcanizer,
trying to set up a letter mold. Help was just around the corner in the person
of his uncle Urial Woodruff. A dentist, Uncle Urial was very familiar with rubber, vulcanizers,
and the practicalities of dealing with both. Additional experiments with a
regular dental vulcanizer and uncle Urial's advice and cooperation netted some good-quality
stamps. James Orton proceeded to outfit a factory with modified versions of the
dental vulcanizer, which Alonzo Woodruff described in
1908 as follows: "...made of boiler iron that was about 18 inches in
diameter by 24 inches high, which was placed upon a stove. From the ceiling
above the vulcanizer was suspended a tackle which was
used to place and remove the heavy top and flasks."
With the new equipment set up, James Orton ordered in a supply of fresh, new
type and prepared to set his plant in motion. The mounts for his stamps were
made of black walnut in nearby
Seneca
Falls,
New York. He
personally went to pick up the first batch. Alonzo Woodruff described the
outing like this: "With a bag well filled, he started up a steep hill from
the shop when he soon overtook an Irish woman pushing a heavy wheelbarrow, who,
with an eye to business, asked if he did not want to put his bag in the barrow
and wheel it up the hill, which proposition, after some bantering, was accepted
to their mutual benefit."
Woodruff, now ready for action, ran a rubber-stamp advertisement in the Northern
Christian Advocate, a Methodist weekly published out of
Auburn,
New York.
Orders poured in, and it looked like the first rubber-stamp killing was about
to be made when disaster struck. The stamps were ruined by the only available
inks. These inks contained oil as a solvent, and the action of the oil on the
vulcanized rubber was calamitous. The stamps were useless, and Woodruff faced
an endless line of customer complaints. Nonetheless, during this uproar, a
local optimist named Rolland Dennis bought a share of the business for fifteen
hundred dollars and shortly afterwards replaced Woodruff as sole owner.
Two historical artifacts of James Orton Woodruff's pioneer stamp-making days
were reported to be in the care of Alonzo in 1908: one of the original black walnut
mounts and "an old stool, upon the bottom of which is a print of one of
the first rubber stamps." The impression on the stool was probably that of
an American Express Company C.O.D. stamp, which had been made in Uncle Urial's dental office during the early experiments.
The least likely candidate appears to be Henry C. Leland of
Lee,
Massachusetts, whose cause was championed in
the June 1910 issue of Stamp Trade News by rubber stamp manufacturer
George W. Burch of
Hartford,
Connecticut, in an article entitled
"The Invention of the Rubber Stamp." Burch had originally met Leland
in
Hartford in
1883. The article was the result of an interview conducted with Leland, who was
then eighty-two and living in
Hartford
with his wife and unmarried son. The claim seems nebulous at best, but Mr.
Leland has enjoyed his moment in the sun thanks to Mr. Burch's efforts. The
saga:
In 1863, while on the road selling what were probably early metal-dating and
cancellation hand stamps, a broom manufacturer suggested that "if he could
supply a stamp that could be rolled around a broom handle to print a label, it
would be a good thing."
Shortly after the suggestion, Leland moved to
Pittsfield,
Massachusetts,
took a job in a print shop, and began toying with the idea. In his initial
experiments, he set up a type form, made a plaster-of-Paris cast of it, put
soft rubber bands from an old printing press on the cast, set the cast on a
kitchen stove, and made a primitive but successful attempt at vulcanizing with
a flatiron. Encouraged, he moved to
New
York, took another job as a printer, and continued
experimenting, this time with a dental vulcanizer.
Leland worked in secret on his "invention," struggling to learn the
mysteries of mold-making and the correct temperatures for vulcanizing rubber,
without benefit of assistance.
Burch relates that "during the year 1864 he had got it into some shape
when a near relative who lived with him and was in his confidence, gathered
together what information he could...went to some novelty people and for a
petty sum gave away all of Leland's secrets so far as he knew them. These
people then came to Leland, offered to finance the patent, and induced him to
accept a small sum of money for an interest in it." Leland fell for the
offer, then presumably realized he'd been gulled and "in disgust threw up
his claims for a patent and refused to go on with it." Shortly afterward,
Leland left
New York
on a long trip, supporting himself by making and selling rubber initial stamps.
Who really invented the rubber stamp? As with so many inventions, the
possibility exists that a number of men hit on the same idea at essentially the
same time. Our vote goes to James Orton Woodruff.
Early Days in the Rubber Stamp Industry
Rubber stamps are considered a marking device. Today Thomas H. Brinkmann, Executive Secretary of the Marking Device
Association, defines marking devices as "the tools with which people...add
marks of identification or instruction to their work or product." The
earliest roots of the marking-device industry lie with early stencil makers.
Many of the first rubber stamps were made by itinerant stencil makers. Since
both were marking devices it was a compatible combination. The years from 1866
onward were peppered with the establishment of new stamp companies. Some were
stencil makers adding stamps to their repertoire while others focused entirely
on making rubber stamps.
J.F.W. Dorman is said to have been the first to actually commercialize the
making of rubber stamps. He started as a sixteen-year-old traveling stencil
salesman in
St. Louis and opened his first
business in
Baltimore
in 1865. In 1866 Dorman, who had enjoyed a brief career on
the stage before the Civil War, learned the technique of manufacturing rubber
stamps from an inventor. Dorman made his first stamps under cover of
night with his wife's assistance in an effort to keep the process a secret.
Dorman was quite an inventor, and his contributions to the industry were
numerous. His eventual specialty was the manufacture of the basic tool of the trade
-- the vulcanizer. His company continues in business
today.
The first stamp-making outfit ever exported from the
U.S.
to a foreign country was shipped by R.H.
Smith Manufacturing Company to
Peru
in 1873. Back on the home front, companies continued to spring up. In 1880
there were fewer than four hundred stamp men, but by 1892 their ranks had
expanded to include at least four thousand dealers and manufacturers. An
amazing number of these first companies are still in business today, frequently
under their original names or merged with others whose roots lie in the mid-
and late 1880s.
It was a small, tight-knit industry, characteristics it retains today. The
longevity of the companies is no more astonishing than the attitude of stamp
men themselves. Once in the business, people tended to stay loyal to it. During
our research, we were amazed at the number of people who had spent forty or
fifty or more happy years in the industry.
Early stamp makers tended to be colorful, and many frontier like exploits dot the landscape. Louis K. Scotford and his companion Will Day set off across Indian Territory to the settlements
in
Texas
carrying their stamp-making equipment in an old lumber wagon. The country was
wild and rugged in 1876, frequented by bandits and Indians. L.K. and Will
solicited orders during the day, made the stamps at night, and delivered the
following day in time for the intrepid pair to harness up and head out once
again. It was a romantic adventure and not unprofitable. At the end of their
three thousand-mile trek, the two returned to
St. Louis with two twenty-five-pound shot
bags filled with silver dollars.
Charles Klinkner, who established his West Coast
stamp house in 1873, would have been the pride of any modern-day publicity
agent. Kinkner was prone to calling attention to his
wares in startling, unorthodox ways. He rode around
San
Francisco and
Oakland
in a little red cart drawn by a donkey rakishly dyed a rainbow of colors. To
make his stamps sound like something extra special, he advertised them as
"Red Rubber Stamps," and people were convinced it meant something. At
the time, almost all stamps were made from red-colored rubber. Ah, the power of
suggestion.
After years of talk and numerous attempts to organize, the industry formed a
national trade organization in 1911. M.L. Willard and Charles F. Safford, who
had labored long and hard toward organizing the stamp men, saw their work bear
fruit when the first marking-device trade convention took place at the LaSalle
Hotel in
Chicago
on June 20, 1911. It was the beginning of a new era and even pioneer stamp
personage B.B. Hill (the "father of the mechanical hand stamp"), then
eighty years old with fifty years in the business behind him, was on hand to
hear the International Stamp Trade Manufacturers Association voted into
existence. Today the organization is known as the Marking Device Association
and is headquartered in
Evanston,
Illinois.
A number of trade journals served the industry: Stamp Manufacturer's
Journal, Stamp Trade News, Marking Devices Journal, and now Marking
Industry Magazine, which is published under the efficient guidance of
Albert Hachmeister, who acts as both publisher and
editor.
Since 1907, the trade publications have reflected serious industry
discussions about trade ethics, price controls, planning by scientific
management, and marketing, mixed with folksy anecdotes about who was playing
which sport for charity and tidbits about who caught a 175-pound swordfish off
the
California
coast. Pricing information was colorful on occasion as witnessed by this quote
from the February 1909 Stamp Trade News: "No blood flows from a
turnip nor does wealth flow from rubber made into Rubber Stamps at 10 cents per
line." The same issue proffered a real gem from a column called "Pen
Points" -- "'Rubber stamps made while you wait' is not a good sign to
hang out. It looks too easy."
The Stamper's Bill of Rights
This "Bill of Rights" was originally created for Scrap bookers but
I edited it to make it work for Stamper's. Please copy and print it and hang it
in a prominent place to let your family and friends know that we have Rights
too!
The Stamper's Bill of Rights
- A rubber stamper is entrusted with creating works of art to be treasured by family and
friends. Creating hand stamped items is an honorable and important task.
As a Stamper, you are entitled (but not limited) to the following rights:
- You have the right to take as
long as you want to complete one card. This may be five minutes or two weeks.
- You have the right to
purchase a certain stamp or stamping supply for no other reason than
because a) you like it; b) everyone else is purchasing it; c) you'll never
find it again, or; d) you know you'll use it someday.
- You have the right to a workspace
of your own. This may be the basement, your college student's old bedroom,
or the kitchen table. It's yours.
- You have the right to stamp
when inspiration strikes--whether the dishes are done or not.
- You have the right to request
peaceful, kid-free, stress free stamp time--without guilt.
- You have the right to create
art that reflects and celebrates your spirit, whether anyone else thinks
its art or not.
- You have the right to put
whatever you want on your card. This includes, branches, rocks, leaves,
and anything you deem usable in dumpster dive.
- You have the right to do
nothing more than snack and socialize at a rubber stamp club meeting or
workshop.
- You have the right to value
your personal stamping style to be as important as any famous stamp
artist.
- You have the right to create
your own style, one card at a time.
Tips and Hints for New Stampers
Store
your markers flat, so the ink stays in contact with the tip better. This is
especially helpful, as you are getting a little lower on ink in the marker. Also
this allows you to see what colors of markers you have easily. Wrap the
almost-dry markers with a piece of masking tape to let me know they're just
about out of color, and they are the ones I use for very pale soft color
(almost a chalky or pale crayon effect).
- Keep each of your inkpads in
a small zipper bag with its bottle of the re-inker, so you can re-ink the
pad when you are finished using it. This is very helpful when you are
doing A LOT of stamping at one time.
- When you have rainbow pads
(like the Ranger Big n Juicy, etc) keep a piece of cardstock with a few
images stamped from different sections of the pad. That way you know what
ranges of colors are in ach pad. You can keep the cardstock and the pad in
a zipper bag, so it's always together.
- A hint that I read in VampStampNews that I thought was great is to store the
small brass stencils in a small photo album. Our AC Moore has great small
photo albums for $1 each, and I think the album
would hold 100 stencils.
- I have my mounted stamps on
trays, categorized by theme, and I have each tray labeled so I can pull
out the tray I need, instead of searching.
- I store my large sheets of
paper on skirt hangers that have 5 or 6 tiers of clips. I can store about
30 sheets of paper on each skirt hanger, and I can see easily what I have.
I also have easy access to it. I have it hanging in front of a closet door
- it would be dead space, plus it looks pretty.
- When you buy acrylic craft
paints, take a drop of the paint and put it on the cover. That way you can
see what color it is, without digging through all the bottles. This is
also helpful with any type of paint that you may be using. If the lid is
slick plastic, put a white stick-on dot on it (like from the office supply
store) then put the paint on top of the dot.
- When cutting unmounted stamps on cushion or HALOS, rub an embossing
inkpad across the Kai scissors first. Or you can actually just dip the
scissors into a bottle of glycerin, but a small embossing pad would work
even better. Or you can use baby powder (or corn starch), after you stick
the ums on to the cushion or HALOS, just sprinkle baby powder (or corn
starch) over the remaining sticky, and then tap off the excess. Effective,
but messy.
Glossary of Stamp Terms and
Techniques
Angel Company
Is a term common in the rubber stamp industry.
This term identifies a company that allows the consumer to use their stamps to
create products for resale. Each company has a different policy so it is
wise to contact each stamp manufacturer for information on their respective
copyright policies. Common restrictions may include: limiting the amount
of hand stamped sample for resale, making sure that products are had stamped
and not electronically reproduced, and restriction from using licensed
properties such as Warner Bros.™, Suzy Zoo™ and Cynthia Hart™.
Dye Based Ink
A quick drying water based ink. Colors are most
vibrant on white, glossy coated papers and card stock. Not recommended
for use with embossing powder. Ink fades with time and when exposed to
light.
Pigment Ink
Thick, slow-drying ink.
Colors are rich and vibrant even on colored papers and cards. The ink
will not dry on glossy coated papers unless embossed.
Crafter’s Ink
Multi-purpose, permanent ink with a longer
drying time than acrylic paint. It is highly pigmented and the
colors are mixable. It works on a variety of surfaces and is great for
numerous craft applications such as fabric, wood, paper and painted
surfaces. It must be heat set on fabric.
Embossing (or Thermal Embossing)
A technique using stamps with embossing or
pigment ink, embossing powder and a heat source to create raised images.
Stamp image with ink and immediately sprinkle with embossing powder over
stamped image. Tap excess powder and reserve for future use. Heat
image with embossing tool until powder melts.
Embossing Ink
Slow drying ink used for Thermal Embossing. See Embossing above.
Inking a Stamp
There are several ways to ink a stamp:
- Using Felt Ink Pads – Tap
stamp firmly onto ink pad until stamp is evenly inked. Raised felt
ink pads can also be picked up and patted on stamp to apply color.
- Using Foam Ink Pads – tap
stamp gently onto ink pad until stamp is evenly inked. Raised foam
ink pads can also be picked up and patted onto stamp to apply color.
- Using Brush markers – Use
only water based brush tip markers as solvent or alcohol type inks will
stain and dry rubber out. Brush markers are used by applying the
brush tip marker directly onto the stamp. Multicolor impressions are
achieved by using additional colors on various areas of the stamp.
Remoisten inks prior to stamping by breathing on the inked stamp or
huffing.
- Using Wedge Sponges – Use the
flat edge of this sponge to apply inks or paints to the stamp in a patting
motion.
Stamp Cleaner
Used to clean ink from stamps.
Use applicator top to apply cleaner to stamp, them pat stamp dry on paper
towels.
Stamping Mat
A durable foam mat used as a work surface for
stamping. The mat gives slightly allowing the best ink impressions. Particularly useful for oversized stamps.
Stamping Paint
A highly pigmented, acrylic paint specially formulated to be
permanent on a variety of surfaces. This paint has a slower drying time
than acrylic paint to allow the user to apply different colors to a stamp for
multi-color impressions. Fabric must be heat set on reverse side to make
permanent.
Wedge Sponge
Used to apply paint to stamps.
Load paint or ink on flat edge of sponge. Pat paint or ink onto surface
of stamp. Also used as a tool to sponge color onto a variety of surfaces
such as paper, fabric and wood.
Masking
A technique of covering a stamped image to
protect it from subsequent applications of color. A method used to
create foregrounds and backgrounds.
Instructions:
- Stamp foreground image onto
surface first.
- Re-stamp image on a second
piece of paper or Post it Note™.
- Cut the second image out.
- Align cut out image (or mask
it) over the first image or foreground image.
- Stamp second image
overlapping the mask
- Remove the mask.
- The second stamped image
appears to be in the background.
Mirror Image Stamp
A flat rubber stamp used as a tool to create a reverse or
mirror image of a rubber stamp.
Instructions:
- Ink a rubber stamp design.
- Stamp on Mirror Image Stamp
- The use the Mirror Image to
stamp the image onto paper.
- Image will be reversed.
- This imprint will be light
because it is a second generation print. Image can be touched up
with markers if desired.